Friday, November 9, 2012

Du Bois' The Souls of Black Folk

He believed it was up to discolor leaders to make clear to lily-whites that blacks deserved the same rights as whites. It can be inferred from this that Du Bois was seeking a kind of eldritch awakening on the part of whites. However, the depiction of African Americans in "Birth of a state of matter" and the actions of whites make Du Bois' beliefs appear fantastically optimistic.

Before the release of "Birth of a area" blacks remained for the macroscopical part politically indifferent to the derogatory images presented by the require industry. One historian attri just nowes their lack of interest to the deep puritan fundamentalist roots that dismissed film as gratis(p) frivolity (Cripps 11). Another reason could be that African Americans had so many areas that required their attention that leaders did not piss the time to deal with film. The depiction of African Americans in Hollywood films was horrific, with stereotypes of them as ignorant savages or grinning, dancing stooges or pot who could only hold menial jobs and who lacked morals and intellect. D. W. Griffith, the single close influential director of his time, took the stereotypes even further in ABirth of a Nation,@ portraying African Americans as brutal, lusting menaces who represented a in truth real threat to society. On the other hand, Griffith also showed Aright-thinking@ Negroes who were doglike to their white masters and bosses, and who loved the Southern traditions and hated Northerners and


Negroes who acted like barbarians. Griffith stepped away from many of the habitual stereotypes of African Americans and introduced a few of his own. The Negroes in ABirth of a Nation@ were particularly brutal and dangerous.
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Audiences viewing the film saw that if it were not for the heroic efforts of the Ku Klux Klan, the black barbarians would rage uncontrollably, rendering obsolete cultured society as the white man knew it. ABirth of a Nation@ focuses on two white families, single Southern and one Northern during the Civil War and Reconstruction. The war takes a buzzer on both families who fight on different sides, but eventually come together as whites in social club to combat and put down the growing influence of African Americans during Reconstruction. Little Colonel Ben Cameron is the lead figure representing the South and he forms the Ku Klux Klan to carry on his world from being taken over and destroyed by African Americans and carpetbaggers. Griffith graphically shows many scenes of corrupt and brutal blacks terrorizing white women, one of whom kills herself rather than be reaved. On the other hand, Du Bois writes of the rape of black women by whites: AThe wrong which your gentlemen have done against at sea black women in defiance of your o
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