Thursday, November 8, 2012

Clay Walls by Kim Ronyoung

As twain a hard worker and a non-native speaker of English, Haseu still understands that her employer Mrs. Randolph is both impossible to please and intentionally demeaning. Mrs. Randolph bending over Haseu as she scrubs, demeaningly indicates that her new cleaning woman has missed a spot (1). Haseu, a diligent worker, recognizes immediately that this is an impossible situation. Exhibiting her considerable frustration, she spits into the corporation bowl, throws her rag into the bucket and mutters "Sangnyun" or Korean for " minuscule woman" (1). Mrs. Randolph is shocked and in retaliation ref occasions to pay Haseu what she is in truth owed. In response, Haseu c befully plunks the unaccep table pay on the table in front of Mrs. Randolph. In her broken English, she picks up a single dime and says outloud "car fare" (2).

Ronyoung shows Haseu brilliantly payoff her dignity by refusing to be broken or demeaned by Mrs. Randolph's bullying, insensitivity or dishonesty. Already within the first cardinal pages, the measure of the novel has been set through the use of the toilet and the dime. Life in America will be ill-scented and demeaning. It will demand that these new immigrants learn to master currency and adopt to American materialism. Yet Haseu's dignified rebellion appears not only to be justified, but a soul-saving behavior. It is Ronyoung's skillful use of poetic imagery which has so immediately and efficiently naturalized the novel's guiding tone. The pages will follow will il


lustrate how Haseu regains her composure and achieves a new perspective for herself and her family.

By highlighting the nastiness of the Korean authorities, the unreasonable tone her mother often adopted with Haseu, Ronyoung is able to show Haseu's ethnical clash in her old homeland. As she is preparing for Chun to arrive in Korea, Haseu realizes that "she was out of sorts in her homeland, wishful in Korea without being homesick for America" (125). This is a brilliant plateau for the novel's middle and turn point.

Haseu and her husband Chun are staying with another Korean immigrant family, Clara and Mr. Yim, as they fire to adapt to their new lives in America. Her husband and the household are taken aback by Hasue's quitting her new job.
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Quietly, Haseu plots how to advance economically and socially within this new country. She decides that she and her husband should sell voguish produce in a cart. Chun balks at the idea, but indicates he will be willing to follow his wife's suggestion if Mr. get up approves. Ronyoung skillfully presents Haseu's terror at approaching Mr. Yin. Haseu is terrified because she honors Mr. Chin's high(prenominal) status. Mr. Yin is a "yangban", a man born of a higher status to her own and additionally a scholar (11). again with compression Ronyoung indicates that the lives of these Korean immigrants had known tremendous upheaval. When the Japanese came to Korea and confiscated Mr. Yin's land, he had fled the country. First, he had torched his property (11). If he was forced to flee, he was not going to leave his property intact for the conquerors to enjoy. Ronyoung indicates that such desecration of his ancestral lands was deemed unacceptable for him. Like Haseu who exited her job over a toilet dispute, Mr. Yim too prizes dignity and tradition almost in a higher place all else. The fire which he sets to his ancestral property mimics Haseu's indignation over Mrs. Randolph's mistreatment of her.

Upon their return to California Chun is i
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