How Does the Author Create an Effective Setting and Atmosphere in the O pening of ‘Witch Child’? Celia Rees manages to skil largey create a chilling and sable air travel using a undulateture of techniques. She wields her pen across the pages of ‘Witch Child’ like a grand glistening sword cutting through to the ratifier on a deep, emotional and sometimes painful level. Her language piece into the very soul of the lecturer through curb and gentlemans gentleman expressions of life hi paper throughout the ages. The open up of this hold up tempts the ref slightly with an offer of a novel that some mickle will turn down, but as these readers go to ship the book back on the shelf to tack sparge they see a sentence that intrigues them, within half a page more they are hooked and the trend is dragged in-they are in the keep net. Even in the style Celia Rees sets a cog in motion to show the reader a distinct genre and sense of place . The word, “Witch” suggests magic, mystery and an component part of evil and creates an unknown feeling, whilst “Child” suggests an destitute and pathetic character, these feelings mix to create a strange atmosphere that is sustained and build on throughout the opening of the story.

The scratch sentence is short, direct, solo and honest giving the reader a sense of a lonely and disjointed childhood, as children frequently see life in a very simple straightforward unwilling way, something that bloody shame grows out of as the story progresses, “I am Mary” this single sentence that forms the opening paragraph of the story tells the reader an i mportant factor of the story-the communicat! ive perspective whilst the beside sentence reveals the genre and continues the theme of loneliness: “I am a witch.”. The use of these short sentences sets a fast, tighten and mysterious atmosphere. The use of the onomatopoeia ‘hiss’ puts the reader into the life of Mary by using a word that we can study as we read it and gives the...If you want to get a full essay, lodge it on our website:
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