doi:10.1068/d2506jb
Torture and the ethics of photography À
Judith Butler
Rhetoric Department, 7408 Dwinelle H each, University of California, Berkeley, CA 94720, USA; e-mail: jp saveler@berkeley.edu Presented 19 April 2007
``Photographs state the innocence, the vulnerability of lives headspring toward their own destruction, and this link between photography and death haunts all photographs of people. Susan Sontag, On Photography Toward the end of Precarious Life (2004), I carry on the question of what it means to become ethically responsive, to consider and attend to the suffering of others, and, more generally, which frames permit the representability of the human and which do non. This seems important not only to answer the question of whether we baron respond effectively to suffering at a distance, but also to formulate a set of precepts that might pass water to safeguard lives in their fragility and precariousness. I am not asking in this context about the subjective sources of this variety of responsiveness, although I do consider this question in liberal an Account of Oneself (2005a).
Rather, here I propose to consider the bearing in which suffering is presented to us, and how that presentation affects our responsiveness. In particular, I pauperization to understand how the frames that allocate the recognizability of certain figures of the human are themselves link with broader norms that determine questions of humanization or dehumanization. My point, which is at this point scarce new, is to suggest that, whether and how we respond to the suffering of others, how we formulate moral criticisms, how we tell political analyses, depend upon a certain field of indubitable human beings already being established. This field of perceptible reality is one in which the notion of the recognizable human is organize and maintained over and against what cannot be named or regarded as the human, a figure...If you want to get a full essay, order it on our website: Orderessay
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