Time, Subjectivity, and Modernism in E. Nesbits Childrens Fiction
Anderson, Susan.
Childrens Literature joining Quarterly, Volume 32, Number 4, Winter 2007, pp. 308-322 (Article)
Published by The Johns Hopkins University raise DOI: 10.1353/chq.2007.0046
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Time, Subjectivity, and Modernism in E. Nesbits Childrens Fiction
Susan Anderson
Long comprehended as an innovative writer, E. Nesbit has been recognized for a
vigorous depiction of children: a refreshing and original break with previous styles of childrens typography. unless her place in the popular imagination is as a writer of amusing Edwardian period pieces, as evinced by recent radio profiles of her and adaptations of her work, which, as costume drama, engage with the pleasures of nostalgia. This bind interrogates this apparent contradiction by placing Nesbit in the historical and ethnical context of modernism. The popular nature of Nesbits output and its mass-produced, series format initially could seem to exclude her from a good will of literary modernism.
As Randall Stevenson notes, however, the philosophy, publications and social fabric of each age are more validly considered developing in parallel, rather than in planes one above the other (13), and childrens literature can, and should, be incorporated into this holistic approach. Childrens literature should not be seen as responding to wider forces as filtered down from the high plane of modernist adult culture but instead should be seen as itself a factor in an interactive illustration of cultural change and development. It is therefore useful to examine it in tandem with other evidence of historical developments in culture, and this article places Nesbits childrens fiction within this wider context, showing how her writing engaged with a number of...If you want to get a full essay, order it on our website: Orderessay
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