Michael Elliotts adaptation of King Lear is not simply a deplorable movie, but a lousy pictorial of William Shakespe ares original play. This movie house version of William Shakespeares King Lear looks as if it was shot on common chord horribly designed sets: an outdoor field, an indoor set with seedy designed pillars that are suppose to resemble rocks, and the interior of a garage. You would think that having Michael Elliotts creative mind combined with producer, Laurence Oliviers Shakespearean knowledge, would work a great edition of Shakespeares King Lear, but kind of you reach a low budget/ under acted version.
In the crack scene of the film, we are introduced to King Lear. Lear is stating that he is becoming over-the-hill now, and must hand over the Kingdom to one of his three daughters. When you first hear Lear speak, you think to yourself, Maybe Mr. Olivier can bow out this character off, but once Cordelia has stated that she cannot explain how much she loves her father in words, and Lear reacts with great disappointment, you realize right by that this film cannot be taken seriously. Laurence Olivier turns this film into a dolt just to sit through. It seems as if Mr. Olivier just took the time to practise all of his lines, but forgot to add emotion to his character.
Even though, throughout the entire film, you are trying to ignore the fact the Laurence Olivier cannot act, and are trying to take the film semi-seriously when Mr. Olivier is not in legitimate scenes, when he returns into the film, you moan in suffering and realize you take a leak another hour and a half to sit through. break through of all the people they could have got to play King Lear, they chose individual who reached their acting peak about twenty to thirty...
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